OPEN ACCESS
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ABSTRACTS
- The CEA Conference in Atlanta: World Enough and Time
- “[S]he could not but do him the justice of feeling that there was a great deal of sentiment in his manner of naming Harriet”: Reported Speech and the Mind-Twist Plot in Jane Austen’s Emma
- Ten Things I Learned (or Remembered) about Research while Writing a Wikipedia Article
- Freedom of Choice: Re-reading Catherine Maria Sedgwick’s Hope Leslie
- The Double Rhetorical Life of Father Abram Ryan
- Travis McGee’s Great Crime
- Self-Translation, (Anti-)Translation: Roque Raquel Salas Rivera’s Poem 45
- “What Treasure is Hid in Milk”?: Transforming Bodily Fluids in the English Early Modern Receipt Book
- The Genre of the Re-Text in Composition Studies
- Postnaturalist Monstrosity in Rivers Solomon’s Sorrowland
- Transformational Bodies in the Works of Angela Carter: From the Dark Corporeality of the Symptomatic Body to the Intercorporeality of Maurice Merleau-Ponty
- Transforming British Literature Pedagogy
- The Specter of War: Memorialization at the Site of the 1968 My Lai Massacre
- Engaging Students and Expanding the Canon of Knowledge through Empathy-Based Pedagogy
- Bob's Beat: Dylan, A Poet among Poets
- Pigment Unbound: Charles Olson's Unprincipled Knowing and Plastic Glyph
- Motherhood, Witchcraft, and the Refusal to Conform
- Alain Locke's Value Theory and Pragmatist Defense of Beauty
- Everything Honks, Everything Creaks: Frank O'Hara and the Early Poetry of James Schuyler
- Empathy and Trauma: A Cognitive Approach to Mrs. Dalloway
- Sound Presentation of the Silent History: Orature in Yvonne Vera’s The Stone Virgins
- “How we go on”: Tradition’s Talent and the Individual Poet in Gary Snyder’s “Axe Handles”
- Looking Backwards: Tradition, the Temporal, and the Timeless
- Notebooking Embodied Sonico-Musical Experience
- D. H. Lawrence, T. S. Eliot, and the Meaning of the Mythical Method
- Updike's Wager: Emerson, William James, and the Ground of Belief in Late Updike
- The Torrents of Spring and the Beginning of the Hemingway Myth
- Queer Home on the Road: Lesbian Escape and the Great American Road Trip
- The Novel's Changing Climate: Richard Powers's The Overstory as an Anthropocene Novel
- "A Novel … invested with a Desperate and Aching Significance": Poetics and Ethics of Fragmentariness in Blue Pastoral by Gilbert Sorrentino
- William Wells Brown and the Form of Unfreedom
- “& I’m still moving”: Pat Parker’s “Movement in Black” and the Joy of Black Lesbian Movement
- Como Nilo abajo, and: Like the Nile down the River
- The Earliest African American Literatures: A Critical Reader ed. by Zachary McLeod Hutchins and Cassander L. Smith (review)
- Collusions of Fact and Fiction: Performing Slavery in the Works of Suzan-Lori Parks and Kara Walker by Ilka Saal (review)
- Dark Mirror: African Americans and the Federal Writers’ Project by J. J. Butts (review)
- To Make Negro Literature: Writing, Literary Practice, and African American Authorship by Elizabeth McHenry (review)
- The Black Intellectual Tradition: African American Thought in the Twentieth Century by Derrick P. Alridge, Cornelius L. Bynum and James B. Stewart, and: African American Political Thought: A Collected History by Melvin L. Rogers and Jack Turner (review)
- The Digital Black Atlantic ed. by Roopika Risam and Kelly Baker Josephs (review)
- There’s A Disco Ball Between Us: A Theory of Black Gay Life by Jafari S. Allen (review)
- The Artistic Activism of Elombe Brath ed. by Thomas Aiello (review)
- Black Pulp: Genre Fiction in the Shadow of Jim Crow by Brooks E. Hefner (review)
- Langston Hughes, London, 1938 by Eslanda Goode Robeson
- “FORMING / ELSE WHERE”: N. H. Pritchard by Sight and Sound