OPEN ACCESS
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ABSTRACTS
- Prologue
- If Not Democratic
- Some Must Watch While Some Must Sleep: An Impromptu Text Thread
- Seeding the Future (This Is Not a Metaphor): Creative Acts of Public Gardening with Yarrow Collective
- On Uncomfortable Theatre and Cozy Revolution
- Participatory Political Violence: The Sensorial Toll of the Truckers' Convoy
- B side
- Ça a l'air synthétique bonjour hi
- Summer Magic: Creating a Sense of Welcome Back to Performance
- Holy Moly
- Creation Practices in Participatory Performance
- Experiments in Care as a Reciprocal Act
- Some Must Watch While Some Must Sleep
- Expanded Quantification: Games and Theatres of Calculation
- A Grown-Up's Guide to Flying
- Freedom in the Invitation: Lilith & Cie's Invisible
- 4inXchange
- The Ministry of Mundane Mysteries
- TBD
- Voicing with Code in Public
- Space, Time, and Reactivity: Designing Software for Online Theatre
- Bold Moves
- 1939 Reflections on Adaptation, Indigenous Theatre, and Shakespeare's Legacy
- The Politics of an Epic: Why Not Theatre's Mahabharata at the Shaw Festival
- Theatrical Collisions in Laurence Dauphinais's Cyclorama
- Festival Santiago a Mil
- Lost Together
- El aire español. Usos musicales de la nobleza española en Italia (1580–1640) by Ignacio Rodulfo Hazen (review)
- Literature and Historiography in the Spanish Golden Age: The Poetics of History by Sofie Kluge (review)
- The Business of Conquest: Empire, Love, and Law in the Atlantic World by Nicole D. Legnani (review)
- La monja alférez, famosa comedia atribuida a Juan Pérez de Montalbán ed. by Gabriel Andrés Renales (review)
- Scripts of Blackness: Early Modern Performance Culture and the Making of Race by Noémie Ndiaye (review)
- The Melancholy Void: Lyric and Masculinity in the Age of Góngora by Felipe Valencia (review)
- Methods of a Sixteenth-Century Actor-Director: Lope de Rueda’s Performance-Based Approach to Adaptation
- Marvelous Dualities in Juan Ruiz de Alarcón’s El semejante a sí mismo
- El gran teatro del mundo de Calderón de la Barca: Ortodoxia y textos prohibidos
- Calderón, Spinoza y los afectos en escena
- Panorama de la música en el entremés representado del primer Barroco. El caso de Jerónimo de Cáncer
- The Wisdom, Unbound, of Szilvia Szmuk-Tanenbaum: On Collaboration, Comedias Sueltas, and Other Scholarly Enterprises
- The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata by Pamela Allen Brown (review)
- Poesía y música en la Roma barroca. El cancionero español Corsini 625 by Patrizia Botta (review)
- The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture ed. by Rodrigo Cacho Casal and Caroline Egan (review)
- Entremeses by Miguel de Cervantes (review)
- La Araucana by Alonso de Ercilla (review)
- Dramaturgas del Siglo de Oro. Guía completa by Juana Escabias (review)
- Pasiones mitológicas: Tiziano, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez by Miguel Falomir et al. (review)
- Drawing the Curtain: Cervantes’s Theatrical Revelations ed. by Esther Fernández and Adrienne L. Martín (review)
- In Memoriam: Clifford O. Davidson: 1932–2024
- Diplomatic, Migrant, Intercultural: Chinese Opera’s Performance Modes in the Contemporary West
- ”Simply Sitting in a Chair”: Questioning Representational Practice and Dramatic Convention in Marguerite Duras’s L’Amante anglaise and The Viaducts of Seine-et-Oise
- Rewriting Idolatry: Doctor Faustus and Romeo and Juliet
- Measuring Protagonism in Early Modern European Theatre: A Distant Reading of the Character of Sophonisba
- The Drama of Serial Conversion in Early Modern England by Holly Crawford Pickett (review)
- Theater, War, and Revolution in Eighteenth-Century France and Its Empire by Logan J. Connors (review)
- Macbeth by William Shakespeare (review)