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ABSTRACTS
- From Jonkonnu and Son de los diablos to Congo Square and Son Jarocho: Global Histories of the Jawbone/Quijada as a Black Musical Instrument
- Music, Migration, and Cultural Membership in Close Harmony
- "A Very Ingenious and Superior Invention": Sailing Ship Windlass Technology and the Burgeoning of Sailors' Chanties
- Wagner on the Midway: Reassessing Sonic Divisions at the 1893 World's Columbian Exposition
- The New Jazz Studies Continues
- Distortion and Subversion: Punk Rock Music and the Protest for Free Public Transportation in Brazil (1996–2011) by Rodrigo Lopes de Barros (review)
- The Priego alla Beata Vergine and Marian Piety as Public Image: Antonio Migliori’s and Giovanni Pierluigi da Palestrina’s Gift to Christine of Lorraine
- Retazos del Methode nouvelle (1737) de Monsieur David en «El cantor instruido» (1754) de Manuel Cavaza
- Esoteric Elements in the Early Music Revival: The Dolmetsch Circle, Marco Pallis, and Traditionalism, from Haslemere to the Himalayas
- La vida musical en el buque Sinaia. Construcciones de sentido en torno a la Banda del Quinto Regimiento de Milicias Populares en el proceso de exilio a México
- Andreas Karlstadt’s Fifty-Three Theses against Gregorian Chant of 1521: A Disputation on Spirit, Body, and Their Relation to Singing in Worship
- Abstracts and Contributors
- Editor’s Introduction
- The Way We Do the Things We Do: “Staying in the Pocket” with Guthrie P. Ramsey, Jr.
- Black Musicological World-Making in Who Hears Here?
- Black and Asian Stories, Citations, and Epistemic Shifts in American Music Studies: A Response to Guthrie P. Ramsey, Jr.
- Whose Ear Here?
- Skin in the Game: The Ethics of Who Hears Here?
- “Do You Hear Me, Though?”: Ramsey and the Politics of Black Music Inquiry
- Cooking Lessons: Guthrie P. Ramsey’s Generational Influence
- A Leap of Faith with Dr. Guthrie Ramsey
- The World We Make: Black Colleges and Black Music Studies
- “Doing the hearing, the making, and the explaining”: Putting the Work of Guthrie P. Ramsey, Jr., and Camille Norment in Conversation
- Bars
- Musicking in Lumpkin County, Georgia, 1909–1928
- “The Most Misunderstood Man in the Territory?”: Jud Fry and the Politics of Oklahoma! (1943) in the Twenty-First Century
- Introduction: America's Magical Musical Machine
- Agreeability, Accessibility, and the Jukebox Musical
- I've Heard This One Before: A Paradigm Shift in Musical Theater Writing?
- Doing It Their Way: Insights on the Jukebox Revue—An Interview with My Way Creators David Grapes II, Todd Olson, and Vince di Mura
- "Work Is a Dirty Word Around Here": Jimmy Buffett's Escape to Margaritaville and Escapist Leisure in Jukebox Musicals
- Leader of the Pack: The First Jukebox Musical
- "The Only Thing That Matters Is That That Man Gets Up on That Stage Tonight": Elvis, the Biographical Jukebox Musical, and the Recording Artist as Worker
- The Paradox of Creating a Cocreator
- An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound
- A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors
- Computer Tools for Modeling Swing in a Jazz Ensemble
- About This Issue
- Editors' Notes
- Announcements
- News
- Bill Vine: Norwich Under the Water
- Carl Stone: Electronic Music from 1972–2022
- Products of Interest