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ABSTRACTS
- Surveillance, citizenship and the state in Humans (2015–2019)
- Durian matters
- The Digital Superhero: Conspiracy and Convergence
- Proud to be not beautiful: navigating affects in the rebellious body project of Chinese TuoMeiYi feminism
- Ageism and Social Media Expertise: Implications for Intergenerational Dynamics in Advertising Creativity
- DEI and Marketing Strategy at Mastercard: An Interview with Nicola Grant
- Author Meets Critics: Advertising Revolutionary: The Life and Work of Tom Burrell
- Editorial Introduction
- Gender and Advertising: Europe, Latin America, and North America
- Roundtable on the Challenges of Doing Intersectional Work in Advertising
- Branding Beyond the Rainbow: An Exploration of Authentic Advertising for Gen Z's LGBTQ+ Community
- Author Meets Critics: Buy Now: How Amazon Branded Convenience and Normalized Monopoly
- Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia
- Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea
- Precarious love of eSports players in China: work-and-play amidst love and precarity
- Introduction: the cultural deliberation of Europe
- Streaming platform imaginaries: audiences and Southeast Asian streaming
- The pastoral station: an overlooked ‘outback’ location space in Australia’s regional screen history
- Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU
- The unpopular (manosphere) men of popular feminism
- Holy transmedia! - the many faces of Batman in 1960s Finland
- The acoustemology of Hong Kong in protest: a sonic understanding of the anti-extradition law amendment bill movement
- Capital, labour and currency: book love in the economy of young adult publishing
- Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)
- Indonesian critiques of the new musical system
- Mapping Shadows of the Bight: a road trip residency
- ‘Pioneers of culture’: Australian natural history and the German colonial imaginary