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ABSTRACTS
- Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema
- ‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970.1
- The History of German Literature on Film
- Silent Film Performance: Dramatic Bodies on Screen
- The DJ Who “Brought Down” The USSR: The Life and Legacy of Seva Novgorodsev
- Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: Visions for Empowerment and Development of the 7th Art in Africa: A Conversation with Souad Houssein
- Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: An African Film Festival in New York through an African Woman's Eyes: In Conversation with Mahen Bonetti
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: Mariama Hima: Reflections on Double Colonization as an African Woman Filmmaker
- Part V–Alternative Discourses: Theorizing Lived Experiences in African Women’s Cinematic Practice, Meaning-Making, and Shaping of Knowledge: African Women's Voices as Alternative Discourse: In Conversation with Anne-Laure Folly Reimann
- Part V–Alternative Discourses: Theorizing Lived Experiences in African Women’s Cinematic Practice, Meaning-Making, and Shaping of Knowledge: On the Outside Looking in, the Insider Reporting Out: In Conversation with Ngozi Onwurah
- Part V–Alternative Discourses: Theorizing Lived Experiences in African Women’s Cinematic Practice, Meaning-Making, and Shaping of Knowledge: Navigating Multiple Spaces: In Conversation with Jihan El-Tahri
- Part VI–Mediating Diasporic Cinematic Experiences and Practice: "It Is a Quest to Question, to Probe, to Rediscover Qualities Using Cinema as a Tool": In Conversation with Wanjiru Kinyanjui
- Part VI–Mediating Diasporic Cinematic Experiences and Practice: "My Country, I Take within Me": In Conversation with Najwa Tlili
- Part VI–Mediating Diasporic Cinematic Experiences and Practice: "Do They Remember Us?": In Conversation with Shirikiana Aina
- Part VI–Mediating Diasporic Cinematic Experiences and Practice: Reflections on a Digital Sankofa Storytelling Experience: In Conversation with Jacqueline Nsiah
- Part VIII–Reconciling Africas, Identities, Diasporas: A Mirage in the Desert? African Women Directors at FESPACO
- Part VIII–Reconciling Africas, Identities, Diasporas: In the Mouth the Teeth Sometimes Bite the Tongue: Reflections on the Women's Meeting at FESPACO 1991 and Beyond
- Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: A Tribute to D. Elmina Davis (1958–1995): D. Elmina Davis, Sister D. of Ceddo Film & Video
- Part VIII–Reconciling Africas, Identities, Diasporas: Reconsidering Positionality and Subjectivity within African Cinema Discourse
- An Interview with John Watson
- Dossier 1: Seizing the Means of Cultural Production—A Selection of Interviews on Finally Got the News
- Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: The Practice of Curating the June Givanni Pan African Cinema Archive: A Conversation with the Founding Director (Introduction)
- Dossier 2: Getting Out the News: Historical Documents
- Part II–(Re)imagining Cinematic Histories of Africa: African Women, Cinema, and the Tale of Kadidia Pâté
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: Introduction: Blazing the Trail, Pioneering the Way
- Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: Introduction
- Part V–Alternative Discourses: Theorizing Lived Experiences in African Women’s Cinematic Practice, Meaning-Making, and Shaping of Knowledge: Introduction: Alternative Discourse, Meaning-Making, and Shaping of Knowledge
- Part VI–Mediating Diasporic Cinematic Experiences and Practice: Introduction: Storytelling and the Renegotiation of Histories
- Part VII–Critiquing Africas/Diasporas: Intersecting Dialogues—In Conversation with Claire Diao, Leyla Bouzid, Mati Diop, and Cornélia Glele
- Part VIII–Reconciling Africas, Identities, Diasporas: Introduction: Who's African Anyway? An Evolving Story
- Part IX–Image Gallery: African/Diasporan Women Reframing Screen Identities
- FESPACO 2023, Pt. 3: The Political Is Never Far Removed
- Professional Notes and Research Resources
- Revisiting Sara Gómez
- "Oh, the Places It Did Go": The Diasporic Journeys of Blaxploitation
- Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: Journeying and Researching Ghanaian/Diaspora Women's Filmmaking Practices
- Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: A Tribute to Chantal Bagilishya: "To Work on a Project about Africa Provides Me with a Connection with Africa"
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: M'Bissine Thérèse Diop: La Noire de …, a Black Woman from Senegal, Outside the Frame
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: Carrie Dailey, an African American in Her Search for a Cultural Heritage and Identity
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: A Memorial Tribute to Safi Faye (1943–2023), the Exemplar Transnational Woman in Her Quest to Visualize African Histories
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: Annette Mbaye d'Erneville, Journalist, Serving My Country
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: Joy Nwosu Lo-Bamijoko: Cinema e Africa Nera and a Seminal Moment of Africa/Diaspora Cinematic Discourse in Italy
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: Euzhan Palcy: "I Wanted to, in My Own Way, Make My Cinema a Miraculous Weapon."
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: The Fantastic Creative Possibilities Offered by Documentaries According to Moroccan Filmmaker Izza Genini
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: A Memorial Tribute to Sarah Maldoror (1929–2020), the Quintessential TransAfrican Filmmaker: "Cinema is a Tool of Revolution"
- Part III–Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness: Françoise Pfaff: An Enduring Regard Croisé, Forging an African Cinema Studies in the United States
- Editor's Notes
- Part I–Introduction: Journeys into the Cinematic Imaginary of the Africas/Diasporas of Women
- Sambizanga (1972): Aesthetics and politics in the film of Sarah Maldoror—Black, African, anti-colonialist, feminist
- Renewing Black Radicalism and Labor Militancy with Finally Got the News (1970): An Introduction
- "A Component Part of the General Struggle of All the People of the World": Finally Got the News between Black Detroit and the World Revolution
- An American Dilemma? It's Happening in Detroit, or the Swedish History of Finally Got the News (1970)
- Self-Defense and the Surround in Finally Got the News (1970)
- Finally Got the News, on Another Continent
- Finally Got the News: The Making of a Radical Film
- French Film History, 1895–1946
- The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response
- Radiophilia
- The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin’s Transnational Travels
- A Wonderful (After) Life: Public Domain Works and Television Discourse
- ‘Unmitigated Cad’: 1The Dual Stardom of George Sanders
- A Single Wooden House Standing in Stalingrad: Alexander Werth’s ‘Russian Commentary’ on the BBC during the Second World War
- Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)
- Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s
- Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)
- Public Ceremony: The Construction of Nationalism Through Mobile Film Screening Under Jiang Kai-shek’s CNP Government
- Evading Censorship. Spanish Radio Disobedience During Late Francoism