television

Science Fiction and disaster – “The Future as Catastrophe” (Columbia University Press, 2018) – Eva Horn interview

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Eva Horn is a researcher who is interested in how various kinds of disasters are presented in literature, television, and film. We talk about her latest book on the subject.

1:28 – Eva talks about how she got into writing on this subject.

6:00 – Eva differentiates between sudden disaster and the more modern slow creeping disaster.

12:00 – Eva talks about Lord Byron’s 1816 apocalyptic poem “Darkness.”

13:40 – Eva also talks about Cormac McCarthy’s novel “The Road.” She has also looked at various blockbuster disaster movies and shows. Elysium is one film she points out as an allegory of inequality.

16:25 – Eva talks about the two movies “Minority Report” and “12 Monkeys.” She talks about the fears of being able to predict the future. She brings up the myths of Oedipus.

20:30 – Eva talks about how the book is divided up.

22:45 – People used to fear a cooling planet.

32:07 – Eva would like to see more popular interest in the old texts that discuss disaster.

33:20 – Eva loves the movie “12 Monkeys” and considers it brilliant.

34:31 – SPOILER ALERT – Eva mentions how the “12 Monkeys” ends.

35:49 – SPOILER DISCUSSION ENDS

37:10 – SPOILER ALERT – Eva discusses the setting of “The Road”

38:58 – SPOILER DISCUSSION ENDS

46:50 – Eva has an academia.edu page and a page on the University of Vienna.

For more of “The Art and Design of Sci-Fi and Fantasy, Mystery and Horror” please follow me on Facebook at crisalvarezwlc, on youtube at Cris Alvarez and on Instagram @crisalvarezscifi

Guests: Eva Horn

Host: Cris Alvarez

Tags: science fiction, 12 Monkeys, The Road, Cormac McCarthy, Oedipus, Sophocles, Lord Byron, Minority Report, Steven Spielberg, Vienna

Science Fiction and religion – “Religion and Technology into the Future” (Lexington Books, 2018) – Sam Gill interview

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Professor Sam Gill has studied dance, religion and science fiction for decades. He’s written books on the subject and here we discuss his latest book on religion and artificial intelligence.

1:50 – Sam Gill talks about how he got into writing about science fiction.

2:57 – Sam talks about the book. He wanted to study the obsession with artifical intelligence. He looked at ancient philosophy all the way to modern thought and pop culture.

5:56 – Sam talks about his own interest in dance and the importance of movement, singing, religion with female artifical intelligence. He talks about embracing our fundamental human biology.

8:00 – Sam uses history, philsophy, and biology to provide his thoughts on where artifical intelligence should go.

10:30 – Sam posits that humans don’t learn as much in school as they do through the sharing of movement and physical expression.

13:17 – SPOILER POINT: Sam talks about how he chose movies and shows as examples. He talks about Ex Machina and its ending.

14:24 – SPOILER DISCUSSION ENDS

16:22 – Sam talks about how surprised he was to find historic connections between the first writing on female robots to modern films. He has found a very interesting common thread.

19:41 – SPOILER POINT: He tried to understand the role of violence in these films and tv shows. He talks about Westworld.

21:37 – SPOILER DISCUSSION ENDS

24:00 – Sam has found a small group of philosophers who have talked about the idea of biology being an important part of being human.

32:30 – Sam has studied dance across the world and people always want to teach others the way they dance.

35:25 – His website is sam-gill.com where people can find his writings on dance and science fiction.

 

For more of “The Art and Design of Sci-Fi and Fantasy, Mystery and Horror” please follow me on Facebook at crisalvarezwlc, on youtube at Cris Alvarez and on Instagram @crisalvarezscifi

Links of interest

www.sam-gill.com

 

Guests: Sam Gill

Host: Cris Alvarez

Tags: science fiction, writer, nonfiction, Data, Star Trek, Westworld, Ex Machina, Blade Runner, dance, religion, movement, robots, artifical intelligence, scarlett johansson, movies, tv shows

Cartoon development – Bob Camp interview

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Bob Camp is a cartoonist and cartoon developer who co-created the iconic Ren and Stimpy Show. He worked for Rankin Bass, Marvel Comics, Warner Brothers and has worked on numerous well-known animation projects. He currently teaches Visual Arts in NYC. I spoke to him about his past work, inspirations, process and future goals at the 2018 Great Philadelphia Comic Con.

1:26 – Bob Camp got into animation in the 1980s while working at Marvel Comics. He started with Thunder Cats and other Rankin Bass shows. Then he moved to LA to do animation full-time when Rankin Bass closed down.

3:29 – Bob isn’t an animator and is self-taught in everything he does. He considers himself too lazy for animation. He studied film in school and then did caricatures and portraits for rodeos and such. He met Gary Holgren who got him into comic art for Marvel Comics. He inked for John Buscema and then was doing fixes on just about every Marvel comic while he was there.

6:18 – In LA, he worked for the studio Deke who [doing] did Captain Planet and Inspector Gadget. Bob worked on an animated Alf series and then a Ghostbusters piece.

7:35 – Then he began working on Tiny Toons for Warner Brothers. He began doing other work and then worked on Your Gang and Ren and Stimpy were minor characters in that show. Then they teamed up with Nickelodeon and began doing their cartoon show. Ren and Stimpy started as a theatrical cartoon.

10:59 – Bob was inspired by the cartoons from the 1940s that were created for theatrical release. Those cartoons were for entire families.

13:44 – The reboot of Ren and Stimpy poisoned the well of the original series. Ren and Stimpy could have gone on for a longer time if it hadn’t had the troubles they had.

15:59 – Bob is an actor and did a bunch of the voices for Ren and Stimpy. He’s in the Screen Actors Guild. His favorite part of creating cartoons is the development. He likes show running too. He also likes to fix scrip ideas.

18:09 – Bob teaches at the School of Visual Arts in NYC. He teaches storyboard creation and critiques his students’ work as if he were the director. He likes taking ideas and making them better.

20:20 – Bob likes using Pinterest to inspire himself. The images there give him new ideas.

22:19 – The comic business is tough though. It’s a hard and stressful life which you need to love.

23:49 – He’s been inspired by Bob Camplett, Chuck Jones, Tex Avery, Harvey Kurzman, and a slew of others. He loves the Three Stooges.

25:19 – Comics are an incubator business for movies. The artists don’t make the money. The studios and the executives make the money.

27:43 – Bob has a sci-fi epic project he’d love to do. He has a little kid show that takes place in New York he’d like to do. He has lots of ideas and plenty of sketches.

28:59 – Bob said the way to succeed in this business is to just start making films and don’t wait for money. Get a youtube channel, teach yourself the skills you need. Do it yourself. You don’t need college.

30:17 – He’s on Bob Lab Studios on facebook and instagram. Michelle Fire is his partner and she has sites on facebook and instagram.

Links of interest

https://www.facebook.com/boblabstudios/

https://boblabshop.com/

http://boblabstudios.com/

https://twitter.com/boblabstudios?lang=en

https://twitter.com/michelefire

 

For more of the podcast “The Art and Design of Sci-Fi and Fantasy, Mystery and Horror” please follow me on Facebook at crisalvarezwlc, on youtube at Cris Alvarez and on Instagram @crisalvarezscifi

Guest: Bob Camp

Host: Cris Alvarez

Tags: cartoon, art, animation, rankin bass, ren, stimpy, nickelodeon, marvel comics, john buscema, ghostbusters, alf, tiny toons, crazy