Latin American horror movies – “The Migration and Politics of Monsters in Latin American Cinema” (Palgrave Macmillan, 2018) – Gabriel Eljaiek-Rodriguez interview

Gabriel Eljaiek-Rodriguez teaches Spanish and Latin American studies at the New School in Atlanta, GA. We spoke about his latest book on the politics of Latin American horror films.

1:04 – Gabriel talks about how he got into studying horror and monstrosity. He discusses the kind of horror cinema that can be found in Colombia and which he was exposed to.

Colombians have always been interested in things from other cultures.

6:12 – Mexico is a powerhouse as far as producing entertainment in Latin America. Gabriel then talks about the book. He has studied the subtle politics behind horror films. He’s looked at movies from the 90s to 2017. He’s also looked at a range from Guillermo del Toro to more cult type films.

13:14 – He compares and contrasts monstrosity in film between Latin America and the US and Europe.

17:11 – Gabriel contrasts the influence of European and Asian immigrants to indigenous peoples on Latin horror films.

19:50 – Gabriel talks about Andean horror made most often in Peru and Bolivia.

23:43 – Gabriel talks about he approached the research for this book.

33:42 – Gabriel was surprised to see how political many Latin American horror films are.

46:44 – He has a page on Academia.edu. He’s also involved with a website that discusses Latin American Gothic. {Note – the website address is different from what Gabriel stated. It’s https://latinamericangothic.wordpress.com/}

 

Links of interest

https://latinamericangothic.wordpress.com/

https://gabrieleljaiekrodriguez.academia.edu/

For more of “The Art and Design of Sci-Fi and Fantasy, Mystery and Horror” please follow me on Facebook at crisalvarezwlc, on youtube at Cris Alvarez and on Instagram @crisalvarezscifi

Guests: Gabriel Eljaiek-Rodriguez

Host: Cris Alvarez

Tags: horror, Colombia, Latin American film, Guillermo del Toro, Mexico, Buenos Aires, festivals, Vampires in Havana

Horror movie history – “Wasteland: The Great War and the Origins of Modern Horror” (Counterpoint, 2018) – W. Scott Poole interview

Scott Poole is a professor of history in American pop and folk culture with a heavy emphasis on horror studies. We talked about his latest book that examines the effect World War One had on horror movies.

0:56 – Scot talks about how he got into studying horror.

2:58 – Scott talks about the book and how World War One changed horror literature and stories.

9:58 – Scott talks about directors and creators who delved into horror.

12:45 – Scott talks about how Franz Kafka is associated with horror.

16:03 – Scott talks about the occult, horror and the Great War.

22:57 – Scott talks about French author Celine’s affect on horror.

25:33 – Scott talks about the death of animals affected horror.

28:34 – Scott talks about how he found old horror films and war footage.

35:30 – Scott talks about comedy in early horror.

38:39 – Scott talks about the great emotional difficulty he had in writing this book.

43:11 – Scott talks about an interesting discovery he made about Bela Lugosi.

53:04 – Scott tweets @monstersamerica.

For more of “The Art and Design of Sci-Fi and Fantasy, Mystery and Horror” please follow me on Facebook at crisalvarezwlc, on youtube at Cris Alvarez and on Instagram @crisalvarezscifi

Guests: Scott Poole

Host: Cris Alvarez

Tags: horror, movies, literature, Kafka, Lovecraft, Peter Lorre, Bela Lugosi, World War One, The Great War, Celine, movie directors, Nazis, occult

Classic science fiction – “The Forever War” (Titan Comics, 2017) – Joe Haldeman interview

Joe Haldeman is a prolific sci-fi writer who has won numerous awards for his work. His most significant novel is The Forever War which also had two follow on novels. His trilogy has recently been released in comic book form and I spoke to him about his time in Vietnam and about his writing.

1:13 – Joe talks about why he writes sci-fi and what he enjoyed in sci-fi.

1:57 – Joe talks about how Vietnam inspired Forever War.

4:00 – Joe was told he could choose a job when he was drafted but instead they made him a combat engineer-Pioneer. He cleared paths for troops.

8:00 – Joe talks about how Vietnam affected how he wrote about character interactions in the Forever War.

10:24 – Joe talks about the sexuality of the novel and mentions a gay couple he knew in Vietnam, two medics who shared a tent.

13:47 – Joe talks about the serious wound he received in Vietnam and the hospitals he went to in Vietnam. He ended up in charge of the library and the game room.

18:16 – Joe was in Vietnam from February 1968 to February 1969 and was in the Central Highlands in places like Pleiku. His unit moved around in helicopters but they used trucks to move their whole base about three times.

20:13 – Joe talks about booby traps used in Vietnam.

21:36 – Joe talks about the wound he received. He talks about what he did while recovering.

31:57 – Joe doesn’t want people to feel pro-war feelings when they read Forever War.

35:06 – He and his wife went to Mexico after the war.

44:00 – Joe and his wife started the ICON convention 43 years ago and still attend.

45:40 – Sci-fi convention and writing has made Joe more of a public speaker.

51:06 – A lot of magazines used to fill their pages with stories that were made to order.

54:04 – Joe loves reading about new solar systems and planets.

58:04 – Joe talks about how he felt when the US landed on the moon. He was in mexico at the time.

 

For more of “The Art and Design of Sci-Fi and Fantasy, Mystery and Horror” please follow me on Facebook at crisalvarezwlc, on youtube at Cris Alvarez and on Instagram @crisalvarezscifi

 

Guests: Joe Haldeman

Host: Cris Alvarez

Tags: science fiction, writer, novelist, Forever war, sci-fi, war, vietnam, wounds