Thilde Kold Holdt interview about her new Viking Fantasy Novel “Northern Wrath” (Solaris, 2020)

Thilde Kold Holdt interview

Thilde Kold Holdt interview about her Viking Fantasy Novel “Northern Wrath”

Check the book out here https://amzn.to/357Kx8N

Interview Summary

Thilde Kold Holdt loves Norse culture since she herself is a Viking. She turned her love into a novel series and the first volume, Northern Wrath, will be published in October. I spoke to Thilde about the book, about rowing a Viking ship, about Viking culture and history, and about the things that inspire her.

0:34 – Thilde talks about why she wrote this book. She talks about being born in Denmark and embracing her Viking identity.

1:55 – Thilde talks about the details of the book. It’s set in Denmark and Thilde talks about Scandinavia. The story is partly historical fiction and partly epic fantasy.

5:56 – Thilde talks about the involvement of Christianity in Viking epic fantasy.

6:57 – Thilde talks about the extensive research she did for the book. She’s read all the sagas and the Eddas. She also joined the crew of the largest reconstructed Viking ship.

11:09 – Thilde talks about the archaeological and historical evidence for female warriors.

14:51 – Thilde talks about how she created the beasts in her novel. She focused on the Eddas. She really likes the giants and the Jotun.

17:09 – Thilde talks about how the giants in her novel live in Jotunheim.

17:55 – Thilde talks about how much she enjoyed a Danish comic book Valhalla.

19:38 – Thilde really enjoys the show Vikings.

20:45 – Thilde talks about horned helmets and Viking warships with shields.

24:37 – Thilde talks about Vikings and swimming.

26:16 – Thilde talks about the three places Vikings go in the afterlife. She also talks about Hel and Loki.

29:01 – Thilde talks about what she thinks of the Marvel comics and their take on the Norse myths.

30:51 – Thilde talks about Viking blood feuds. She also talks about the aesthetic of the novel.

35:18 – We talk briefly about the show the Beforiegners and Thilde’s writing process.

37:37 – Thilde talks about the languages she knows including Korean. Then she talks about how her characters forced a change in the plot as she wrote the novel.

41:10 – Thilde talks about how some of the characters did things that would be distasteful to modern audiences.

43:13 – Thilde talks about editing her book down for 400,000 words.

45:39 – Thilde talks about cutting some side characters.

46:36 – Thilde talks about having wanted to having magic powers.

47:49 – Thilde talks about Viking magic.

51:38 – Thilde talks about her enjoyment of Korean music and K-pop.

54:57 – Thilde talks about getting an agent and getting published.

60:09 – Thilde can be found at Thildekoldholdt.com , NorthernWrath.com and on twitter and instagram @koldholdt.

Links of interest

https://amzn.to/357Kx8N

https://www.simonandschuster.com/books/Northern-Wrath/Thilde-Kold-Holdt/9781781088197

https://www.thildekoldholdt.com/

https://twitter.com/Koldholdt

https://www.instagram.com/Koldholdt/

Contact Information

For more “Full Contact Nerd” please follow me at crisalvarez.com, on Facebook at CrisAlvarezFCN, on youtube at Cris Alvarez on twitter @CrisAlvarezFCN, on Instagram @crisalvarezscifi, and on Apple Podcasts / Google Podcasts / Stitcher / Spotify for the podcast. Please see historyrabbithole.com for a list of my dozen or so blogs and podcasts. You’re sure to find something you like.

Guests: Thilde Kold Holdt

Host: Cris Alvarez

Tags: Books, audio interviews, author, academic, podcast, Solaris, fantasy, historical fiction, mythology,

Check the book out here https://amzn.to/357Kx8N

As an Amazon Associate I earn from qualifying purchases.

Cris Alvarez Full Contact Nerd Interviews

Jo Kaplan discusses her Gothic horror novel “It Will Just Be Us” (Crooked Lane Books, 2020)

Jo Kaplan It Will Just Be Us

Jo Kaplan discusses her Gothic horror novel

The Interview

Horror – An interview with Jo Kaplan about her new book It Will Just Be Us published by Crooked Lane Books. It’s a new chilling gothic horror novel about vampires. Check out the book here   https://amzn.to/3nxNDuU

Of all the creative ideas you have, how did this one idea rise above the rest and get written?

I’ve always loved haunted house stories. There’s something classic, timeless, and unsettling about the idea of one’s home becoming invaded by the supernatural. I think it’s my passion for the genre, and my desire to do something (hopefully) new with it, that made this idea manifest itself for me. I also wanted to write a book about sisters who have an extremely tense and conflicted relationship, and everything just sort of clicked with this one.

What is the book about – protagonist, setting, and conflict?

It Will Just Be Us follows Sam Wakefield, who is living with her mother in her childhood home: Wakefield Manor, a decaying mansion on the edge of the Great Dismal Swamp. The house is haunted, in a sense—haunted with echoes of the past, replaying its history over and over again. She has grown up in this strange environment, and is, in turn, a bit strange herself.

Her pregnant sister, Elizabeth, returns home after a falling out with her husband, and soon after, Sam begins to see a mysterious, menacing boy with no face who has violent tendencies. And he seems different than the house’s other ghosts: he is far more than just an echo…

What sort of aesthetic does the book have?

This book has a very moody, Gothic aesthetic. It is contemplative and (I hope) unsettling, with an atmosphere of dread.

So it seems you may be interested more in haunted settings that people involuntarily get trapped in rather than haunted places that people actively look for and enter.  Is that an accurate assessment? How would you differentiate between the two approaches?

That’s something I hadn’t really thought of before, but I suppose you’re right. Of course, now I’m interested in writing a story about people who actively seek out a haunted house! I think both approaches are interesting and have an equal chance at being frightening. If you’re involuntarily trapped in a haunted place, there’s a lack of control over the situation that is frightening. But then, if you actively sought out a haunted place, there’s potential for the realization that you brought the horror on yourself…

If the book had a soundtrack, what might it be like?

I think it would be something with lots of eerie strings. Some haunting cello. Very moody!

Did you have to do any research for the book?

Yes, I spent quite a bit of time researching the Great Dismal Swamp, where it takes place. I was particularly interested in learning about the maroons who lived there: escaped slaves who created communities inside of the swamp, which was so treacherous that they were unlikely to be recaptured. One thing that interested me was how I had never learned anything at all about this, unlike, say, the Underground Railroad. It’s not a white savior narrative, but about slaves who freed themselves and took ownership of their lives. I wanted to explore this, so it appears in my book when we get to see glimpses of the past.

 

What’s your approach to witches and necromancer types in your work or your interest in the haunted?

I think witches are interesting figures to work with partially because of the way they have been reclaimed by feminists. Historically, women were labeled witches as a way to oppress them, but the movie The VVitch is an excellent example that subverts this, in the way it depicts a character actively choosing to claim power as a reaction against this very oppression. It’s an interesting dynamic, and I think I gravitate towards that.

 

Your work appears to be focused on ghosts.  Is that true and if so what are your feelings about monsters or gore in horror?

I think there’s room for all of this in horror! I am more drawn to the psychological and the atmosphere of creeping dread, which seems like a more natural fit with ghost stories, but I think monsters and gore definitely have their place—and I’ve written those kinds of stories, too!

 

Do you explore insanity in your horror or is it more about “normal” fear and dread?

I think insanity is a fascinating subject, one that stems from the Gothic tradition. But I don’t think that is at odds with more “normal” fear and dread—what’s most interesting to me is the dynamic between the two, when fear and dread become so profound that we must question our own sanity.

What are some of the genre works that inspire you – books, movies, tv, music, etc.

Probably too many to name! I’m constantly in awe of, and inspired by, new books coming out in the horror genre that totally blow me away. The most obvious inspiration for It Will Just Be Us, though, is Shirley Jackson’s We Have Always Lived in the Castle. But I’ve also recently read work by Stephen Graham Jones, Ramsey Campbell, and Silvia Moreno-Garcia that I’ve just loved and feel inspired by.

In terms of movies, my inspirations are thoughtful, atmospheric works of horror—like The Witch, Hereditary, The Lighthouse, Midsommar… okay, I guess I just really like Ari Aster and Robert Eggers.

As far as music, I adore creepy classical music. Saint-Saens’ Danse Macabre? Played it at my Halloween wedding, along with Funeral March for a Marionette by Gounod. Give me some of Mussorgsky’s Night on Bald Mountain, Verdi’s Dies Irae… yeah, that’s my jam.

What is your writing and editing process like?  Anything different from other authors?

I think my process is probably pretty typical. One thing I can’t seem to stop myself from doing, though, is revising as I write the first draft. I’ll write, go back and revise, write more, backtrack to revise, etc. It’s almost always two steps forward and one step back. I think that’s why it takes me a while to complete a first draft… because by the time I’ve got a first draft done, the first half of the book is probably in its fifth or sixth draft! Then I always go back and revise the whole thing again, probably several times. I truly believe the revision is where the magic happens, and I love that part of the process.

How has your approach to writing changed over time?

I don’t think it’s changed much aside from the hope that I know what I’m doing more now than when I first started writing!

Have you done any non-writing work that has influenced how you write or what you write about?

My primary employment is as an English instructor at a local college, and that informed It Will Just Be Us because Sam Wakefield is an adjunct instructor. Though there’s not a lot of similarity between our experiences in teaching, it has given me insight into being on the other side of the podium, which definitely makes it easier to write academic characters.

When you were younger was there a power, technology, or fictional setting you yearned for or to be a part of?

Like most millennials, I wanted to go to Hogwarts and be part of the Harry Potter universe.

Did you have any difficulties finishing this book?

Not in particular. I’m a pretty motivated person so I can’t stand leaving a project unfinished, even if it takes me a while. When I commit to a novel, I have to really commit to it.

What’s your current or next writing project?

I just finished writing a sort of Western-themed horror novel that is now in the hands of my agent. I’m really excited about this one!

Where can people find you online?

You can find me at my website: http://jo-kaplan.com, or on Twitter and Instagram @joannapary

Biographical information

Name: Jo Kaplan
Bio: Jo Kaplan writes and teaches in the Los Angeles area with much encouragement from her husband and two cats. Her fiction (sometimes as Joanna Parypinski) has appeared in Fireside Quarterly, Black Static, Nightmare Magazine, Vastarien, Haunted Nights edited by Ellen Datlow and Lisa Morton, Don’t Turn Out the Lights: A Tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark edited by Jonathan Maberry, and the Nightscript series. Her novel, It Will Just Be Us, comes out September 8, 2020. She teaches English and creative writing at Glendale Community College.
Project/work being discussed: It Will Just Be Us

Links of interest

Check out the book here   https://amzn.to/3nxNDuU

https://www.penguinrandomhouse.com/books/647537/it-will-just-be-us-by-jo-kaplan/

http://jo-kaplan.com

https://www.instagram.com/joannapary/

https://twitter.com/joannapary

As an Amazon Associate I earn from qualifying purchases.

Cris Alvarez Full Contact Nerd

Brian Herskowitz explains how to develop structure in a screenplay “Product to Process”

Brian Herskowitz Screenplay structure
Brian Herskowitz Screenplays

Brian Herskowitz explains structure in a screenplay

Check the book out here https://amzn.to/3iZJv3Z

Interview Summary

LEARN HOW TO STRUCTURE A SCREENPLAY.

Brian Herskowitz is a screenwriter and producer and has many credits to his name including Tour of Duty, Tio Papi, Hercules, scifi and horror movies, and a documentary on domestic violence. In part 2 of this screenwriting series he talked to me about structuring a screenplay.

0:25 – Brian addresses structure in screenplay writing.

4:20 – Brian talks about the beginning of a screenplay and ways to open a story.

7:14 – Brian talks about connecting the premise and connecting the whole structure.

11:13 – Brian talks about main plots and sub plots in a screenplay.

15:36 – Brian talks about how the beginning, middle, and end are further divided into sub-structures but also don’t have to be rigid about that.

18:57 – Brian talks about the “hero’s journey” concept.

22:03 – Brian talks about people struggling with the middle of the structure of a screenplay.

28:23 – Brian talks about the purposes of the various parts of the story and ensemble pieces.

30:16 – Brian talks about [the] what drives characters motivations.

31:46 – Brian talks about whether three act structure can apply to very kind of movie.

42:46 – Brian talks about the motivations of the main characters.

45:40 – Brian talks about thematic resonance.

48:27 – Brian talks about motivating the arbitrary.

52:56 – SPOILER ALERT: Brian discusses the Sixth Sense.

55:18 – SPOILER ALERT: Brian talks about the Event.

56:28 – Brian talks about connecting the start and end of the film.

58:51 – SPOILER ALERT: Brian talks about Once Upon A Time in Hollywood and Inglorious Bastards.

1:01:55 – Brian summarizes the importance of structure in a screenplay but also the usefulness in letting it go.

Links of interest

https://amzn.to/3iZJv3Z

https://www.brianherskowitz.com/

Contact Information

For more “Full Contact Nerd” please follow me at crisalvarez.com, on Facebook at CrisAlvarezFCN, on youtube at Cris Alvarez on twitter @CrisAlvarezFCN, on Instagram @crisalvarezscifi, and on Apple Podcasts / Google Podcasts / Stitcher / Spotify for the podcast. Please see historyrabbithole.com for a list of my dozen or so blogs and podcasts. You’re sure to find something you like.

Guests: Brian Herskowitz

Host: Cris Alvarez

Tags: screenplay structure

Check the book out here https://amzn.to/3iZJv3Z

As an Amazon Associate I earn from qualifying purchases.

Full Contact Nerd and Cris Alvarez