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ABSTRACTS
- In Memoriam: Clifford O. Davidson: 1932–2024
- Diplomatic, Migrant, Intercultural: Chinese Opera’s Performance Modes in the Contemporary West
- ”Simply Sitting in a Chair”: Questioning Representational Practice and Dramatic Convention in Marguerite Duras’s L’Amante anglaise and The Viaducts of Seine-et-Oise
- Rewriting Idolatry: Doctor Faustus and Romeo and Juliet
- Measuring Protagonism in Early Modern European Theatre: A Distant Reading of the Character of Sophonisba
- The Drama of Serial Conversion in Early Modern England by Holly Crawford Pickett (review)
- Theater, War, and Revolution in Eighteenth-Century France and Its Empire by Logan J. Connors (review)
- Macbeth by William Shakespeare (review)
- Épica y conflicto religioso en el siglo XVI. Anglicanismo y luteranismo desde el imaginario hispánico ed. by Javier Burguillo y María José Vega (review)
- Guest Editor Introduction: On Recovery and Reparation
- Branding, Bondage, and Lope's Typeface
- Queering El valiente negro en Flandes
- White Faces, Black Masks: The Racial Shimmer of Morisco and Sub-Saharan Slaveries in Lope de Vega's Los melindres de Belisa
- The Mandinga Experience: Illusion and Proof in the Inquisition Case of Patrício de Andrade, 1690
- Contradicción, aculturación y celebración en El negro del serafín de Vélez de Guevara
- An Overview of Stylometry and Its Application to the Comedia
- Arte y localización de un culto global Virgen de Loreto en México by Luisa Elena Alcalá Donegani (review)
- James A. Parr, sin par (1936–2022): Editor, Bulletin of the Comediantes 1973–98 PART II
- James A. Parr, sin par (1936–2022): Editor, Bulletin of the Comediantes 1973–98 PART I
- Sonido y afecto en Calderón. Un estudio de las asonancias by Simon Kroll (review)
- Conversaciones en verso. La epístola ética del Renacimiento y la construcción del yo poético by Clara Marías (review)
- El gran teatro del mundo by Pedro Calderón de la Barca (review)
- To Embody the Marvelous: The Making of Illusions in Early Modern Spain by Esther Fernández (review)
- Faraway Settings: Spanish and Chinese Theaters of the 16th and 17th Centuries ed. by Juan Pablo Gil-Osle and Frederick A. de Armas (review)
- The Poetics of Friendship in Early Modern Spain: A Study in Literary Form by Donald Gilbert-Santamaría (review)
- Ser y vivir esclavo. Identidad, aculturación y agency (Mundos mediterráneos y atlánticos, siglos XIII–XVIII) ed. by Fabienne P. Guillén y Roser Salicrú i Lluch (review)
- Arms and Letters: Military Life Writing in Early Modern Spain by Faith S. Harden (review)
- The Arts of Encounter: Christians, Muslims, and the Power of Images in Early Modern Spain by Catherine Infante (review)
- Performing Conversion: Cities, Theatre and Early Modern Transformations ed. by José R. Jouve Martín and Steven Wittek (review)
- El universo de una polémica. Góngora y la cultura española del siglo XVII ed. by Mercedes Blanco y Aude Plagnard (review)
- Transoceanic Animals as Spectacle in Early Modern Spain by John Beusterien (review)
- Comuneros. El rayo y la semilla (1520–1521) by Miguel Martínez (review)
- A Companion to Calderón de la Barca ed. by Roy Norton and Jonathan Thacker (review)
- Diego Velázquez, Apeles de su siglo: historia y ficción en la obra del pintor de Felipe IV by Héctor Ruiz Soto (review)
- Playing and Playgoing in Early Modern England: Actor, Audience and Performance ed. by Simon Smith and Emma Whipday (review)
- Renaissance Fun: The Machines behind the Scenes by Philip Steadman (review)
- The Cambridge Companion to Shakespeare and Race ed. by Ayanna Thompson (review)
- Sovereign Joy: Afro-Mexican Kings and Queens, 1539–1640 by Miguel A. Valerio (review)
- La discreta enamorada / The Cleverest Girl in Madrid by Lope de Vega (review)
- Prologue
- Mirando desde el puente. Estudios en homenaje al profesor James S. Amelang ed. by Fernando Andrés Robres, Mauro Hernández Benítez y Saúl Martínez Bermejo (review)
- Contrarrelatos performativos para hablar en clase sobre la historia racial de España
- An Early Modern Audience in the Classroom: Metatheater, Religion, Race
- Listening to Black Voices, or Listening to Juana Esperanza de San Alberto's Listening
- Spatial Imaginaries and Performance of the Villancico de Negro
- Accounting for Black Insurgencies in Los empeños de una casa by Sor Juana Inés de la Cruz
- "¡A ver la comeria nueva / que la negla representa!": Villancicos de negros en la Bogotá virreinal
- Afrodescendientes que hablan quechua: Risa, agencia y resistencia en dos entremeses del convento de Santa Teresa (Villa Imperial de Potosí)
- De la invisibilidad a la especulación crítica: Un esgrimista y poeta negro en el inédito Entremés segundo del negro
- Silencio de reyes negros: La Comedia Trofea de Torres Naharro y la cartografía de la colonización africana
- Whiteface versus Black Performance: Accounts of Black and Afro-descendant Performers in Portuguese America
- "La variedad de los exemplos" and "la verdad de la estampa": Race and Exemplarity in Virtudes vencen señales
- Lost Together
- If Not Democratic
- Some Must Watch While Some Must Sleep: An Impromptu Text Thread
- Seeding the Future (This Is Not a Metaphor): Creative Acts of Public Gardening with Yarrow Collective
- On Uncomfortable Theatre and Cozy Revolution
- Participatory Political Violence: The Sensorial Toll of the Truckers' Convoy
- B side
- Ça a l'air synthétique bonjour hi
- Summer Magic: Creating a Sense of Welcome Back to Performance
- Holy Moly
- Creation Practices in Participatory Performance
- Experiments in Care as a Reciprocal Act
- Some Must Watch While Some Must Sleep
- Expanded Quantification: Games and Theatres of Calculation
- A Grown-Up's Guide to Flying
- Freedom in the Invitation: Lilith & Cie's Invisible
- 4inXchange
- The Ministry of Mundane Mysteries
- TBD
- Voicing with Code in Public
- Space, Time, and Reactivity: Designing Software for Online Theatre
- Bold Moves
- 1939 Reflections on Adaptation, Indigenous Theatre, and Shakespeare's Legacy
- The Politics of an Epic: Why Not Theatre's Mahabharata at the Shaw Festival
- Theatrical Collisions in Laurence Dauphinais's Cyclorama
- Festival Santiago a Mil
- Torvald's Question: Italo Svevo and James Joyce Stage Modern Masculinity
- Anxious Masculinity in the Drama of Arthur Miller and Beyond: Salesmen, Sluggers and Big Daddies by Claire Gleitman (review)
- Noël Coward: The Playwright's Craft in a Changing Theatre by Russell Jackson, and: Masquerade: The Lives of Noël Coward by Oliver Soden (review)
- Let the Right One In by Jack Thorne (review)
- Introduction: Text & Presentation
- "Only Write the Good Parts": Playwright Lucas Hnath in Conversation with Jay Malarcher
- Arthur Miller's Suicidology of the Stage: Suicide and Dramatic Form in Death of a Salesman
- "In this show let me an actor be": Joining in with Doctor Faustus
- Art Acts: Reframing the White Gaze in Claudia Rankine's The White Card
- Institutionalized Violence and Oppression: Ambiguity, Complicity and Resistance in El Campo and The Conduct of Life
- Keeping the Violence Out of Sight: Representing Systems of Oppression with Offstage Violence
- The Perfect Joke: Autopathography and Humor in Sarah Ruhl's The Clean House
- Under the Influence: Adaptation, Adultery, and Acceptance in Anton Chekhov's Uncle Vanya and Ryusuke Hamaguchi's Drive My Car
- Euphoria in Unhappiness: Technology and Revelation in Jennifer Haley's Neighborhood 3: Requisition of Doom and The Nether