OPEN ACCESS
- Fifty Years Later: Art, Ecocide and Animatedness in Vietnam
- Why Exhibit Trauma?
- Telemetric Feeling in Tita Salina and Irwan Ahmett’s The Ring of Fire (2014–Present)
- /Shi: A Signpost on the Blurry Map of Myanmar Art History
- Artists and the People: Ideologies of Art in Indonesia by Elly Kent (review)
- Tropical Modernism(s), Miscegenated Art and Modernity
ABSTRACTS
- Egypt in/and Africa: Exhibitions, Questions and Complexities in American Art Museums
- Risks, Challenges, and Possibilities Building a Future in African Arts
- Pragmatism in Yoruba Art: Dada Areogun’s Narrative Woodcarving as Cultural Stewardship
- Panoramas from the Periphery: Women’s History Tapestries at Rorke’s Drift
- Contemporary Mythos of Spirits and Genies / Mythes contemporains des esprits et des génies: A Conversation with Ibrahima Thiam / une conversation avec Ibrahima Thiam
- An Ancient Terracotta Figure from Sierra Leone
- Dr. Lilian Mary Nabulime: Embodying Social Being by Dr. Lilian Mary Nabulime and Basak Tarman (review)
- Oubour by Vanessa Brito and Suspended spaces, and: Femmes d’Alger dans leurs nouveaux appartements by Vanessa Brito (review)
- Heroes: Principles of African Greatness by Kevin D. Dumouchelle (review)
- Cosmopolitanism and Women’s Fashion in Ghana: History, Artistry and Nationalist Inspirations by Christopher L. Richards (review)
- Maimonides’ Straight-Branched Menorah: A Samaritan Parallel
- A Tale of Two Spice Towers
- Lost and Found: The Architectural Spice Box and the Context of Late Medieval Domestic Material Culture
- Fourteenth-Century Nested Beakers in a Jewish Context: Profane Drinking Vessels or Ritual Objects?
- Hidden Findings: Textiles in Genizot
- Disposed or Concealed: The Intriguing Case of Genizah Shoes
- Adaptation and Imitation: The Iconography of Jewish Ceremonial Objects and Mass Production
- Contributors to This Issue
- Qian Xuan Pounding the Balustrade: Multivalent Views of Displaced Scholars in Wang Xizhi Watching Geese
- Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
- Xu Bing’s The Character of Characters and the Possibilities of Calligraphic Animation
- To Fill “a Gap in Indian History”: An Archival Reckoning with the Term Company Painting